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Clarissa, or, The history of a young lady / Samuel Richardson ; edited with an introduction and notes by Angus Ross

By: Contributor(s): Material type: TextTextSeries: Penguin classicsPublication details: London : Peguin Books c1985.Description: 1,533 pages ; 23cmISBN:
  • 0140432159
  • 9780140432152
  • 0670808296
  • 9780670808298
Uniform titles:
  • Clarissa
Subject(s): Genre/Form: Additional physical formats: Online version:: Clarissa, or, The history of a young lady.; Online version:: Clarissa, or, The history of a young lady.DDC classification:
  • 823/.6 19
LOC classification:
  • PR3664 .C4 1985
Contents:
Preface -- Abbreviations and signs -- Chronology -- Introduction -- Selected further reading -- Note on the text -- Clarissa or, The history of a young lady -- Table of letters -- Table of letter numbers in other editions -- Notes -- Glossary of words and phrases -- Appendix: Music for the 'Ode to Wisdom' in letter 54
Summary: From the Publisher: Written entirely in letters, this novel conveys the nuances and tensions only present in personal epistolary form. The virtuous but self-deceiving Clarissa and the charming villain Lovelace haunt the imagination as fully as Romeo and Juliet or Tristan and Isolde
Item type: Books
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Holdings
Current library Call number Copy number Status Notes Barcode
The Iddi Basajjabalaba Memorial Library Open Shelves PR3664 .C4 1985 (Browse shelf(Opens below)) 001 Available Material is available in hard copy 2018-0459

Includes bibliographical references

Preface -- Abbreviations and signs -- Chronology -- Introduction -- Selected further reading -- Note on the text -- Clarissa or, The history of a young lady -- Table of letters -- Table of letter numbers in other editions -- Notes -- Glossary of words and phrases -- Appendix: Music for the 'Ode to Wisdom' in letter 54

From the Publisher: Written entirely in letters, this novel conveys the nuances and tensions only present in personal epistolary form. The virtuous but self-deceiving Clarissa and the charming villain Lovelace haunt the imagination as fully as Romeo and Juliet or Tristan and Isolde

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